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Inception 2010 Story and Movie Review

Inception is a 2010 science fiction action film written and directed by Christopher Nolan, who produced the film with Emma Thomas, his wife. The film stars Leonardo DiCaprio as a professional thief who steals information by infiltrating the subconscious of his targets. He is offered a chance to erase his criminal history as payment for implanting another person's idea into a target's subconscious. The ensemble cast includes Ken Watanabe, Joseph Gordon-Levitt, Marion Cotillard, Elliot Page, Tom Hardy, Dileep Rao, Cillian Murphy, Tom Berenger, and Michael Caine.

After the 2002 completion of Insomnia, Nolan presented to Warner Bros. a written 80-page treatment for a horror film envisioning "dream stealers," based on lucid dreaming. Deciding he needed more experience before tackling a production of this magnitude and complexity, Nolan shelved the project and instead worked on 2005's Batman Begins, 2006's The Prestige, and The Dark Knight in 2008. The treatment was revised over 6 months and was purchased by Warner in February 2009. Inception was filmed in six countries, beginning in Tokyo on June 19 and ending in Canada on November 22. Its official budget was $160 million, split between Warner Bros. and Legendary. Nolan's reputation and success with The Dark Knight helped secure the film's US$100 million in advertising expenditure.

Inception's premiere was held in London on July 8, 2010; released in both conventional and IMAX theatres beginning on July 16, 2010. Inception grossed over $828 million worldwide, becoming the fourth-highest-grossing film of 2010. Considered one of the best films of the 2010s, Inception received critical praise for its screenplay, direction, themes, action sequences, visual effects, musical score, and the performances of the ensemble cast. It won four Academy Awards (Best Cinematography, Best Sound Editing, Best Sound Mixing, and Best Visual Effects) and was nominated for four more: Best Picture, Best Original Screenplay, Best Art Direction, and Best Original Score.

Inception 2010 Story and Review

Synopsis Movie: Inception (2010)

Dominick "Dom" Cobb and Arthur are "extractors"; they perform corporate espionage using experimental military technology to infiltrate their targets' subconscious and extract information through a shared dream world. Saito's latest target reveals he arranged their mission to test Cobb for a seemingly impossible job: implanting an idea in a person's subconscious, or "inception". Saito wants Cobb to convince Robert, the son of Saito's competitor Maurice Fischer, to dissolve his father's company. Saito promises to clear Cobb's criminal status, which prevents him from returning home to his children.

Cobb accepts the offer and assembles his team: Eames, an identity forger; Yusuf, a chemist with a sedative for the "dream within a dream" strategy; and Ariadne (an architecture student of his father-in-law, Professor Stephen Miles) tasked with designing the dream's labyrinth. Ariadne discovers that Cobb's subconscious houses an invasive projection of his late wife, Mal. After Fischer dies, the team accompanies Robert on a flight to sedate him into a shared dream. The person generating the vision stays behind at each dream level to set up a "kick" to awaken other team members from the more profound dream. These kicks must coincide, despite time flowing faster in each successive level.

The first level is Yusuf's dream of Los Angeles. The team abducts Robert but is attacked by projections from his subconscious. Saito is wounded, and Cobb reveals that while dying in the dream would normally waken dreamers, the sedatives will instead send them into "limbo": a world of the infinite subconscious. Eames impersonates Robert's godfather, Peter Browning, to suggest that Robert reconsider his father's will. Cobb tells Ariadne that he and Mal entered limbo while experimenting with dream-sharing technology. Sedated for five hours of real-time, they spent fifty years in a dream world. When Mal refused to return to reality, Cobb used a form of Inception by reactivating her totem, and object dreamers use to distinguish dreams from reality. After waking up, Mal still believed she was dreaming. Attempting to "wake up", she committed suicide and framed Cobb to force him to do the same. Cobb fled the U.S., leaving his children in Miles' care.

Yusuf drives the team around the first level as they are sedated into the second level, a hotel dreamed of by Arthur. Cobb persuades Robert that Browning has kidnapped him and that Cobb is his subconscious protector, leading Robert yet another level deeper as part of a ruse to enter Robert's subconscious. In the third level, the team infiltrates a fortified mountain hospital dreamed by Eames and holds off the guards as Saito takes Robert into the equivalent of his subconscious. Yusuf, pursued by Robert's projections in the first level, deliberately drives off a bridge, initiating his kick too soon. This causes an avalanche in Eames' level and removes gravity on Arthur's story, forcing Arthur to improvise a new kick synchronized with the van hitting the water. Mal's projection emerges at Eames' level and kills Robert; Cobb kills Mal, and Saito succumbs to his wounds. Cobb and Ariadne enter limbo to rescue Robert and Saito, while Eames prepares a kick by rigging the hospital with explosives.

Cobb makes peace with Mal's death. Ariadne kills Mal's projection and wakes up Robert with a kick. Revived into the third level, he discovers the planted idea: an outgrowth of his dying father telling him to be his own man. While Cobb searches for Saito in limbo, the others ride the kicks back to reality. Cobb finds an aged Saito and reminds him of their agreement. The dreamers all awaken on the plane, and Saito makes a phone call. Arriving at Los Angeles International Airport, Cobb passes the immigration checkpoint, and Miles accompanies him to his home. Cobb uses Mal's totem – a top that spins indefinitely in a dream – to test if he is indeed in the real world but chooses not to observe the result and instead joins his children.

Cast for Inception (2010)

  • Leonardo DiCaprio as Dom Cobb
  • Joseph Gordon-Levitt as Arthur
  • Elliot Page as Ariadne
  • Tom Hardy as Eames
  • Ken Watanabe as Mr. Saito
  • Dileep Rao as Yusuf. Rao describes Yusuf
  • Cillian Murphy as Robert Michael Fischer
  • Tom Berenger as Peter Browning
  • Marion Cotillard as Mal Cobb
  • Pete Postlethwaite as Maurice Fischer
  • Michael Caine as Professor Stephen Miles
  • Lukas Haas as Nash
  • Talulah Riley as a woman

Movie Reviews: Inception (2010)

On Rotten Tomatoes, the film holds an approval rating of 87% based on 359 reviews, with an average rating of 8.10/10. The website's critical consensus reads: "Smart, innovative, and thrilling, Inception is that rare summer blockbuster that succeeds viscerally as well as intellectually."Metacritic, another review aggregator, assigned the film a weighted average score of 74 out of 100, based on 42 critics, indicating "generally favourable reviews".Audiences polled by CinemaScore gave the film a middle grade of "B+" on an A+ to F scale.

Peter Travers of Rolling Stone called Inception a "wildly ingenious chess game" and concluded, "the result is a knockout." Justin Chang of Variety praised the film as "a conceptual tour de force" and wrote, "applying a vivid sense of procedural detail to a fiendishly intricate yarn set in the labyrinth of the unconscious mind, the writer-director has devised a heist thriller for surrealists, a Jungian's Rififi, that challenges viewers to sift through multiple layers of (un)reality." Jim Vejvoda of IGN rated the film as perfect, deeming it "a singular accomplishment from a filmmaker who has only gotten better with each film." Relevant's David Roark called it Nolan's "greatest accomplishment," saying, "Visually, intellectually and emotionally, Inception is a masterpiece."

In its August 2010 issue, Empire magazine gave the film a full five stars and wrote, "it feels like Stanley Kubrick adapting the work of the great sci-fi author William Gibson Nolan delivers another true original: welcome to an undiscovered country." Entertainment Weekly's Lisa Schwarzbaum gave the film a B+ grade and wrote, "It's a rolling explosion of images as hypnotizing and sharply angled as any in a drawing by M. C. Escher or a state-of-the-biz video game; the backwards splicing of Nolan's Memento looks rudimentary by comparison."The New York Post's Lou Lumenick gave the film a four-star rating and wrote, "DiCaprio, who has never been better as the tortured hero, draws you in with a love story that will appeal even to non-sci-fi fans." Roger Ebert of the Chicago Sun-Times awarded the film a full four stars and said that Inception "is all about the process, about fighting our way through enveloping sheets of reality and dream, reality within dreams, dreams without reality. It's a breathtaking juggling act."Richard Roeper, also of the Sun-Times, gave Inception an "A+" score and called it "one of the best movies of the [21st] century."BBC Radio 5 Live's Mark Kermode named Inception as the best film of 2010, stating that "Inception is proof that people are not stupid, that cinema is not trash, and that it is possible for blockbusters and art to be the same thing."

Michael Phillips of the Chicago Tribune gave the film 3 out of 4 stars and wrote, "I found myself wishing Inception were weirder, further out the film is Nolan's labyrinth all the way, and it's gratifying to experience a summer movie with large visual ambitions and with nothing more or less on its mind than (as Shakespeare said) a dream that hath no bottom." TIME magazine's Richard Corliss wrote that the film's "noble intent is to implant one man's vision in the mind of a vast audience The idea of moviegoing as communal dreaming is a century old. With Inception, viewers have a chance to see that notion get a state-of-the-art update." Kenneth Turan of the Los Angeles Times felt that Nolan was able to blend "the best of traditional and modern filmmaking. Suppose you're searching for smart and nervy popular entertainment. In that case, this is what it looks like." USA Today's Claudia Puig gave the film three-and-a-half out of four stars and felt that Nolan "regards his viewers as possibly smarter than they are—or at least as capable of rising to his inventive level. That's a tall order. But it's refreshing to find a director who makes us stretch, even occasionally struggle, to keep up."

Not all reviewers gave the film positive reviews. In his study, New York magazine's David Edelstein claimed that he had "no idea what so many people are raving about. It's as if someone went into their heads while they were sleeping and planted the idea that Inception is a visionary masterpiece and—hold on, Whoa! I think I get it. The movie is a metaphor for the power of delusional hype a metaphor for itself." The New York Observer's Rex Reed explained that the film's development was "pretty much what we've come to expect from summer movies in general and Christopher Nolan movies in particular ... [it] doesn't seem like much of an accomplishment to me." A. O. Scott of The New York Times commented "there is a lot to see in Inception, there is nothing that counts as genuine vision. Mr Nolan's idea of the mind is too literal, too logical, and too rule-bound to allow the full measure of madness." The New Yorker's David Denby considered the film to "not nearly [be] as much fun as Nolan imagined it to be", concluding that "Inception is a stunning-looking film that gets lost in fabulous intricacies, a movie devoted to its workings and little else."

While some critics have tended to view the film as perfectly straight and even criticize its overarching themes as "the stuff of torpid platitudes," online discussion has been much more positive. Heated debate has centred on the ambiguity of the ending, with many critics like Devin Faraci making the case that the film is self-referential and tongue-in-cheek, both a film about filmmaking and a dream about dreams. Other critics read Inception as a Christian allegory and focus on the film's use of religious and water symbolism. Yet other critics, such as Kristin Thompson, see less value in the ambiguous ending of the film and more in its structure and novel method of storytelling, highlighting Inception as a new form of narrative that revels in "continuous exposition".

Several critics and scholars have noted that the film has many striking similarities to the 2006 anime film Paprika by Satoshi Kon (and Yasutaka Tsutsui's 1993 novel of the same name), including plot similarities and similar characters arguing that Paprika influenced Inception. Several sources have also noted plot similarities between the film and the 2002 Uncle Scrooge comic The Dream of a Lifetime by Don Rosa. The influence of Tarkovsky's Solaris on Inception was noted as well.
source: Wikipedia

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